If you're only familiar with Moore's work as a perma-drunk, snooty, twat then first you need to listen to his offensively hilarious team up with Peter Cook as Derek & Clive. Most people don't get the joke and just think it's racist drivel, but like most good comedy, idiots are always going to misread its intent, since they are often the target. After you've given that a listen then you might be interested in Moore's musical work. While I won't claim this is the best soundtrack or anything, I do stand by the title track and all it's weird phasing, droll delivery, and psych oddness. Even the horrible remake of this film (experts shat out by crap master Brendan Frazier) does nothing to diminish the joys of the original. Still worth a watch.