I'm all for dudes who pull a late in life volte-face. Starting off as a jazz drummer (even playing with Herbie Mann), Rockey turned it all around and got weird. Switching to violin, he then started playing with early line ups of Smegma. And that's really where this record is heading. Certainly, you can note the jazz influence at times, but this is much more like a modern experimental record than that. Analog squiggles, echoplexed cello & violin, strange voices all abound. A good time for weirdos.