A quick post before I return to my dissertation. As leader of the Red Krayola, and later member of Pere Ubu, Mayo Thompson has always been, and continues to be, a pioneer of weirdness. The free form freakouts of R.K. influenced so many, from Spacemen 3, to Galaxie 500, to basically anybody nowadays who explores the edges of the cosmos. Their clanky clatter transmuted into fractured pop songs challenged traditional notions of structure and form. Here, Thompson composes in the traditional pop medium yet produces some truly strange sounds. Like a cousin to Skip Spence's Oar, there's certainly identifiable pop songs, but all are tempered with an edge of madness. A true, one of a kind classic.
Mateis E. Aqir / Geography of Nowhere 
1 hour ago