Sunday, January 15, 2012
Phillip Corner-3 Pieces for Gamelan Ensemble
Tuesday, April 5, 2011
Paul Horn-Inside
Things have been pretty weird around here. By weird I mean lousy. But did you really expect anything different from me. Rather than write out all the stupid events I’ll just post what I sent my ex (we weren’t actually married but being together for almost 9 years is pretty much like a marriage anyways). So this is what I told her: “for a laff, here's how my day went. I awoke to the hicks above me screaming. I went to bed at four, woke up at seven. No one did their work in either of my classes. They had to write a sentence. They couldn't even do that. Then I walked into a staircase full of pepper spray. I couldn't figure out the recognizable smell at first, then my throat closed up. Then, went on a date with a Vietnamese girl I met. Six hours into the date she tells me about her 4 year long relationship with some guy living in Germany that she has only seen 4 times. So I walked down to the bar to get drunk. I got soaked from the rain. I'll probably catch a cold soon. I feel like an epic failure. My friends laugh at how ridiculous my life has become.” This is really isn’t that unusual than any day in the past two years. So in my crummy mood I turn to this album. I know the creepy close up is enough to scare off the most violent perpetrator but it really is a super soothing album. Bliss for the ears if you will. Recorded inside (hence the title) the Taj Mahal, Horn predicts the dreaded new age genre but far before it became overrun by dads and later reclaimed by ironic hipsters. And the story of the Taj Mahal is heartbreaking but always makes me feel a little human.
Monday, March 21, 2011
Valerio Cosi-Collected Works
I think some of my pals who have enjoyed the more trancey things I post would dig this, so fellas give this a listen. Touchstones here could be Terry Riley and Lamonte Young in that there's definitely some heavy meditation going on here. But Cosi also has a Pharaoh Sandersish sax playing ability. He's also wise because drone records can get super fucking boring so he adds in some interesting elements like krautrock beats, exotic instruments, tribal percussion, etc. It all adds up to something that really surprised me on first listen. You know I typically could care less about what people are producing these days, which is why I was so pleased to stumble across this.Here
Friday, September 3, 2010
Julie Tippetts-Sunset Glow
I've heard people say this is in someway a companion piece to Robert Wyatt's epic Rock Bottom (one of my favorite albums of all time). Well, right up front I should say that this isn't as good. But really, I think there's only a few albums that actually are. But this still is great. You know when Elton Dean (Soft Machine) and Brian Godding (Blossom Toes, BB Blunder, etc.) are swinging by then you're bound to produce something magical. This will probably go down well if played at your next sewing circle.Here
Friday, June 18, 2010
Keith Richards-Umano non Umano
I figure that since I posted Mick's little electronic experiment, then this might as well be posted. It's just Keef fucking around with some early modular synth. Letting it drone out and then fucking with the patches. That type of stuff. But watch the video here just to see how cool this motherfucker was (pre-pirate era). Or I guess you can just look at the above photo.Here
